May 4 – 8 | Gallery 100

Opening reception | May 5 | 5 – 7 p.m.

Because real change doesn’t only begin in systems or institutions—it begins in how we treat each other when things are hardest.

So, this is our moment. Not because it’s easy, but because it isn’t.

To share.

To care.

To stand with each other.

To choose love—not as an idea, but as an action.

And in doing that, in living that every single day, we become part of something bigger than fear, bigger than struggle.

We become the revolution.

May 11 – 15 | Gallery 100

Opening reception | May 12 | 5 – 7 p.m.

The Digital Photography area proudly presents the annual BFA group exhibition of student work from the program. Capstone 2025 will feature images, books and videos from students who have completed their degree in the Fall of 2025 and the Spring of 2026. Please join us in celebrating the diversity, creativity and hard work of the students from ASU's unique online Digital Photography BFA program.

Gallery Hours

Monday – Thursday | 12 – 5 p.m.

April 28 – May 5 | Harry Wood Gallery

Opening reception | April 30 | 5 – 8 p.m.

When the early prophets sought answers from GOD in times of distress, they were often given wondrous visions in reply. Referencing these occurrences, The Divine Darkness is a guided meditation of order returning to a cursed world. 

Gallery Hours

Monday – Thursday | 9 a.m. – 5 p.m.

Fridays | 9 a.m. – 3 p.m.

Closed on weekends and university holidays

May 1 – 9 | Northlight Gallery

Opening reception | May 1 | 6 – 10 p.m.

A thick atmosphere settles over Grant Street, spilling from Northlight Gallery into the air. The
scents of blue raspberry, green apple and cherry cola blend with the voices waiting for their
chance to shine.

April 17 – 25 | Step Gallery

Opening reception | April 17 | 6 – 9 p.m.

“To Witness” investigates the tensions between the beautiful and the grotesque through the feminist gaze, challenging medical structures that leave women forgotten and dismissed. Operating as intimate individual and collective experiences, these ceramic, textile and small metal works ruminate on the ways women navigate their bodies as entities that are foreign, familiar, hidden and sacred.

Subscribe to