Feb 23 to March 19 | Harry Wood Gallery
Jan 16 to 31 | Northlight Gallery
Jan 16 | 6 to 9 p.m.
Jan 20 to 29 | Harry Wood Gallery
Opening reception | Jan 20 | 5 to 7 p.m.
The history, theory and criticism concentration within the Doctor of Philosophy program in design, environment and the arts focuses on the theoretical dimensions of architectural, design and art histories including critical discourse in the design or art disciplines. The
The art history minor program enables students to pursue their passion for art while strengthening their academic preparation and development of skills that can assist them in their job search and career.
In the minor program in studio art, students can pursue their passion for art while strengthening academic preparation and developing skills that can assist them in their job search and career.
The animation minor program is an opportunity for students across ASU to pursue their interest in art and expand any career path with critical thinking and creative problem-solving skills. Across six courses, students learn animation techniques and concepts.
Feb 2 to 19 | Harry Wood Gallery
Exhibition lecture | Feb 18 | 6 pm. | Neeb Hall
Closing reception | Feb 18 | following lecture | Harry Wood Gallery
“Invisible Palettes” is a collaborative art/science project, combining a series of paintings by Penny Cagney, which were inspired by and in collaboration with Nobel Laureate Frank Wilczek, Professor Nathan Newman, the ASU SciHub team and their device, the Hylighter, which has ten programmable monochromatic lights.
Jan 15 to 26 | Step Gallery
Opening reception | Jan 16 | 6 to 9 p.m.
How do our bodies make sense of the ever-expanding technological infrastructures shaping the planet and human relations? Data centers, algorithms and our personal devices employ opaque digital and material architectures to continue long histories of extraction and the enclosure of natural resources and human connection. SEERS explores these systems through processes of looping, circulation, physical navigation and gesture in order to reassert the body as a messy, necessary fount of wisdom.