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We are advancing a new generation of art museum leaders to create a more inclusive museum field.
The ASU-LACMA Master’s Fellowship in Art History offers a three-year degree program that pairs rigorous academic instruction through traditional masters-level coursework with on-the-job work experience. In this program, fellows explore key issues around expanding the canon of art history for the future of museums. The ASU-LACMA fellowship is a program of ASU’s National Accelerator for Cultural Innovation.
The fellowship allows staff already working at a participating museum to enroll in the master’s degree program in Art History at ASU. Museum employees take the classes via Zoom technology and participate in person and remotely in professional development activities.
Fellows have access to resources at the Los Angeles County Museum of Art, the ASU Art Museum and ASU’s Herberger Institute, the largest comprehensive design and arts school in the United States.
Potential applicants must be employed at a participating museum for a minimum of one year. In addition, applicants must fulfill all admissions requirements for the MA in Art History degree.
Coursework
ASU's MA in art history is a comprehensive degree program designed to train students to engage with visuality in multiple ways. A diverse curriculum fosters critical understanding of aesthetics, production, patronage and consumption of art. Ten internationally recognized faculty members offer classes covering many cultures, time periods and geographies, using multiple approaches and methodologies. The program stresses intersections between disciplines and offers focused study in the areas of images and digital technologies, art in social and political contexts, and histories and theories of visual culture. Object-based learning using museum collections is an emphasis.
Mentorship
An outside museum professional is assigned to mentor each fellow to provide individual counsel on graduate study, thesis and externship design, and ongoing career trajectory.
Thesis requirement
Under the guidance of a Thesis Committee, fellows write a thesis proposal during the second year and complete and defend their thesis in the third year. The thesis must demonstrate significant research abilities and methodological approaches.
Language requirement
Students must have a reading knowledge of one research language. The selected language needs to be appropriate for the area of research concentration and must be approved by the chosen faculty mentor. The requirement can be fulfilled by passing the Graduate Foreign Language Examination. Although it is highly recommended that students meet the foreign language requirement before beginning the program, many languages can be taken at ASU.
Membership
Fellows receive a free professional membership during the fellowship to the American Alliance of Museums or the Association of Art Museum Curators.
Travel and externship
Fellows are expected to participate virtually and/or travel to 1-2 convenings at either ASU or LACMA each semester and participate in annual convenings focused on current issues in museum practice and institutional leadership. Fellows participate in a customized weeklong externship at the end of their second year.
The ASU-LACMA Master’s Fellowship was founded in 2018 as a partnership between ASU and the Los Angeles County Museum of Art with the aim to culturally diversify the leadership of art museums in the United States.
In 2021 the partnership will expand to include additional museums across the United States. Museum partners employ fellows and cover tuition and travel expenses.
Ariana Enriquez
Assistant Registrar
ASU Art Museum
Dhyandra Lawson
Curatorial Assistant, Wallis Annenberg Photography Department
Los Angeles County Museum of Art
Celia Yang
Head of Director’s Strategic Initiatives, Asia
Los Angeles County Museum of Art
Matthew Villar Miranda
Curatorial fellow
ASU Art Museum
Aurora van Zoelen Cortés
Curatorial Administrator, Art of the Ancient Americas
Los Angeles County Museum of Art
Ten internationally recognized faculty members in the history of art are joined each year by a dynamic mix of rotating visiting faculty and respected museum curators across the partner museums, who offer classes that span many cultures, time periods and geographies, using multiple approaches and methodologies. Meet the ASU art history faculty.
Each year a specialized seminar is taught by museum curators.
2018 Iranian Art: The Intersection of Past and Present (Dr. Linda Komaroff, LACMA)
2019 Daoist Art (Dr. Stephen Little, LACMA)
2020 Writing, Speaking,and Collaborating in a Museum Context (Dr. Diana Magaloni, LACMA)
Angelica Afanador-Pujol, ASU-LACMA Master's Fellowship in Art History Program Director and Associate Professor, School of Art, ASU
Clarissa Esguerra, Associate Curator of Costume and Textiles, LACMA
Erika Franek, Assistant Director, Registration and Collections Information, LACMA
Miki Garcia, Director, ASU Art Museum
Michael Govan, CEO and Wallis Annenberg Director, LACMA
Joanna Grabski, Director, School of Art, ASU
Zoe Kahr, Deputy Director, LACMA
Naima Keith, Director of Education, LACMA
Katie Kennedy, AVP, Corporate and Foundation Partnerships, LACMA
Julio Morales, Curator, ASU Art Museum
Steven J. Tepper, Dean, Herberger Institute for Design and the Arts
Olga Viso, Senior Adviser to the Dean on Global Arts Partnership at ASU
Hilary Walter, Manager of Academic Programs, LACMA
Each year, the fellows convene at ASU for lectures and panels by leading scholars about museum practices, diversity and inclusion, exhibitions and other current topics in the field.
Past lectures include:
Bryan Brayboy, President’s Professor, ASU School of Social Transformation
Amada Cruz, previously Director of the Phoenix Art Museum
Rita Gonzalez, Terri and Michael Smooke Curator and Department Head, Contemporary Art, LACMA
Stephen Little, Florence and Harry Sloan Curator of Chinese Art and Department Head, Chinese and Korean Art Departments, LACMA
Tiffany Ana López, Vice Provost for Inclusion and Community Engagement, ASU
Diana Magaloni, Deputy Director, Program Director and Dr. Virginia Fields Curator of the Art of the Ancient Americas, and Director of Conservation, LACMA
Chon Noriega, Professor and Director, UCLA Chicano Studies Center
Sharon Takeda, Senior Curator, Costume and Textiles, LACMA