
ASU-LACMA Master's Fellowship in Art History
Advancing a new generation of art museum leaders to create a more inclusive museum field
The ASU-LACMA Master’s Fellowship was founded in 2018 as a partnership between ASU and the Los Angeles County Museum of Art with the aim to culturally diversify the staff and leadership of art museums in the United States. The fellowship offers a three-year degree program that pairs rigorous academic instruction through traditional masters-level coursework with on-the-job work experience. This program supports a culturally diverse generation of museum professionals to promote inclusivity both in the museum and art history.
The fellowship
The fellowship allows staff already working at a participating museum to enroll in the master’s degree program in Art History at ASU. Museum employees take the classes via Zoom technology and participate in person and remotely in professional development activities.
Fellows have access to resources at the Los Angeles County Museum of Art, the Perez Art Museum Miami, the Heard Museum, the ASU Art Museum, the Phoenix Art Museum, the Memphis Brook Art Museum and ASU’s Herberger Institute, the largest comprehensive design and arts school in the United States.
Goals and benefits
- Culturally diversify the next generations of museum leaders.
- Accelerate the careers of museum professionals of color already working in museums.
- Lead radical change in the study and practice of art history and museum studies to be more inclusive.
- Create a professional network among participating museums and fellows.
- Diversify the curriculum in ASU’s art history and museum studies in much needed areas such as African American, Asian American, Indigenous, Latin American and Latinx art.
Eligibility requirements
Potential applicants must be employed at a participating museum for a minimum of one year. In addition, applicants must fulfill all admissions requirements for the MA in Art History degree, including a short essay describing the commitment to diversifying the museum field and expanding opportunities for the diverse voices and expression of a changing America to be represented in museum programming and leadership.
How to apply
- Apply to the School of Art's MA in Art History Degree by Jan. 15.
- Send the following required application materials to the Director of the ASU-LACMA Fellowship program in the School of Art Angélica Afanador-Pujol at angelica.afanador.pujo@asu.edu by Jan. 15.
- Fellowship essay
In 750 words or less, please describe your commitment to diversifying the museum field and expanding opportunities for the diverse voices and expression of a changing America to be represented in museum programming and leadership. - Supervisor approval form
Please complete the supervisor approval form and secure the signature of your employment supervisor to confirm your supervisor’s support and endorsement of your application. Please submit the approval form to the Director of the ASU-LACMA Fellowship program in the School of Art (address above) and the Human Resources department of your museum.
- Fellowship essay
Program components
Coursework
ASU's MA in art history is a comprehensive degree program designed to train students to engage with visuality in multiple ways. A diverse curriculum fosters critical understanding of aesthetics, production, patronage and consumption of art. Internationally recognized faculty members offer classes covering many cultures, time periods and geographies, using multiple approaches and methodologies. The program stresses intersections between disciplines and art in social and political contexts, and histories and theories of visual culture.
Fellows enroll in two graduate-level courses each semester. Course offerings in the art history curriculum include Ancient Greek and Roman, Asian, Contemporary, Global/Thematic Seminars, Latin American, Medieval, Modern, Pre-Columbian art, contemporary Indigenous art, African American and African Diaspora.
Additionally to the required art history courses, fellows can enroll in museum courses and in seminars offered outside the art history area or School of Art such as: American Indian Studies, Asian Pacific American Studies, African and African American Studies, Anthropology, Communication, Women and Gender Studies, Transborder Chicana/o and Latina/o Studies, Ethnic Studies, School of Sustainability, Global Studies, Philosophy, Center for the Study of Race and Democracy and more.
Mentorship
Each fellow is mentored by a seasoned museum professional outside of their home institution during the fellowship to provide individual counsel on graduate study, thesis and externship design, and ongoing career trajectory.
Thesis requirement
Under the guidance of a Thesis Committee, fellows write a thesis proposal during the second year and complete and defend their thesis in the third year. The thesis must demonstrate significant research abilities and methodological approaches.
Language requirement
Students must have a reading knowledge of one research language. The selected language needs to be appropriate for the area of research concentration and must be approved by the chosen faculty mentor. The requirement can be fulfilled by passing the Graduate Foreign Language Examination. Although it is highly recommended that students meet the foreign language requirement before beginning the program, many languages can be taken at ASU.
Travel and externship
Fellows are expected to travel to one to two convenings at ASU at the beginning of each semester and occasionally to one of the partner institutions.
Fellows participate in a customized weeklong externship at the end of their second year.
The externship is a summer travel opportunity for the fellows to either develop curatorial and thesis-related research, to work on a project with their mentor, or to travel on a professional development trip that will be focused on exploring a type of museum practice that will advance their careers, based on their professional and/or academic interests.
Who’s involved
Museum partners
The ASU-LACMA Master’s Fellowship was founded in 2018 as a partnership between ASU and the Los Angeles County Museum of Art. Since 2021, the partnership expanded to include the Heard Museum, the ASU Art Museum and the Phoenix Art Museum in Phoenix, Pérez Art Museum in Miami, and the Memphis Brooks Museum of Art. Museum partners employ fellows and cover travel expenses.
Current fellows
Velma Kee Craig joined the Heard Museum as an Andrew W. Mellon Fellow in 2017 and was hired as assistant curator in 2020. She is a textile artist and teaching artist, and she has produced short films and written poetry. She is a graduate of Arizona State University with a BA in English literature and a minor in American Indian studies. She has taught Diné weaving workshops with organizations such as the Heard Museum, Phoenix Indian Center, Sacred Youth Foundation and local school districts’ Native American programs. Her weavings have been exhibited as part of the exhibitions: "Celebrating Gifts from Spiderwoman’s Grandchildren," "WOVEN: The Art of Contemporary Native Weaving," "Connective Tissue," "WEAVE: construct. code. connect" and "Color Riot! How Color Changed Navajo Weaving." She has won awards for her short films "Interview with Einstein" and "in this manner, I am."
Hope Flores earned her BA in art history from California State University, Long Beach, in 2021. She has worked in the arts since 2015 and has previously held positions at the Museum of Latin American Art, Vincent Price Art Museum, LA Plaza de Cultura y Artes, and Self Help Graphics & Art. Flores is an alum of the Getty Marrow Undergraduate Internship program and was notably the first community college student to earn a Mellon Undergraduate Curatorial Fellowship at LACMA in 2016–18. She returned to LACMA in late 2021 as a curatorial assistant in the Wallis Annenberg Photography Department. In her current role, she manages her department’s active acquisition program and has contributed to the recent exhibitions Barbara Kruger: Thinking of You, I Mean Me, I Mean You. (2022); City of Cinema: Paris, 1850–1907 (2022); and Objects of Desire: Photography and the Language of Advertising (2022). Flores intends to use her positionality as an ASU-LACMA Fellow to historicize the resurgence of experimental analog photography in contemporary Latinx and (post-)Chicanx art.
Becca Folkes-Lallo received her bachelor’s degree in urban studies and media studies with a concentration in film from Rhodes College in 2022. She joined the Memphis Brooks Museum of Art in 2022 as the school programs coordinator. In her role, Folkes-Lallo engages students from across the Memphis area in gallery exploration and artmaking. Deeply influenced by the ways students find themselves in artwork, Folkes-Lallo plans to explore the way Black female artists from the American South use their work as a means of storytelling and community building.
Claudia López grew up on the borderlands known as Ciudad Juárez-El Paso. Her Indigenous identity is rooted in northern Mexico where her ancestors are from. López migrated to Phoenix as a young adult and obtained a BFA in photography from Arizona State University in 2018. In her current position as the bilingual communications specialist at PhxArt, López leads the museum’s bilingual initiative, helping the institution connect with the Spanish-speaking community. Her curatorial endeavors are centered in people and their stories, while her community-building efforts focus on indigenizing spaces, supporting transborder voices, and unlearning Eurocentric and patriarchal narratives. As an ASU-LACMA Fellow, López intends to further her research of matrilineal preservation of ancestral knowledge, seeking to build a framework founded on Indigenous ways of thinking, and one that acknowledges BIPOC identities outside of the binary.
Jackeline Lopez received her Bachelor of Arts in anthropology with honors from the University of California, Los Angeles (UCLA). She joined LACMA as an Andrew W. Mellon Undergraduate Curatorial Fellow in 2019 and was hired as a curatorial administrator in the Art of the Ancient Americas department in 2021. Lopez is a first-generation Latina from South Central Los Angeles who draws on her anthropological training to understand emic and etic power dynamics in museum spaces. Her goals as a scholar in the ASU-LACMA Fellowship are to investigate implicit cultural practices that expect and even prompt emerging BIPOC museum professionals to specialize in the very same curatorial areas that tokenize them and to help center Indigenous ontologies and narratives in Mesoamerican studies.
Roshii Montaño is a queer Diné scholar currently working in Phoenix, AZ. She graduated from Stanford University with a BA in Art History with departmental honors in 2020. Soon after graduating, she joined the Heard Museum as an Andrew W. Mellon Fellow and was hired as a curatorial assistant in 2022. She has assisted in many exhibitions at the Heard Museum and is independently co-curating an exhibition at Idyllwild Arts “Looking at Us: Examining Institutional Critique.” Roshii’s research interests include Indigenous queer performance, contemporary Indigenous art, decolonial theory, and Navajo textile politics concerning gender, labor, and economy.
Ninabah graduated from ASU in 2016 with a BA in digital culture (music). Since then, she has worked on exhibitions at the Heard Museum and at Idyllwild Arts, including Color Riot! How Color Changed Navajo Textiles (2019) and Looking at Us: Examining Institutional Critique (2022). In 2022, Winton joined the curatorial department at the ASU Art Museum as an assistant curator. Her research interests lie in contemporary craft and design, contemporary North American Indigenous art, sound and audio art, textiles and fibers, and material and craft economies. Winton is Diné (Navajo), and is based in downtown Phoenix.
Past fellows
Jayne Manuel, 2024
Collections Management Program Administrator
LACMA
Stephanie Rouinfar, 2024
Curatorial Administrator
LACMA
Mariama Salia, 2024
Program Specialist
LACMA
Emily Valdes, 2024
Assistant Registrar
Pérez Art Museum Miami
Deliasofia Zacarias, 2024
Snap Research Fellow
LACMA
Aurora van Zoelen Cortés, 2022
Curatorial Administrator
Art of the Ancient Americas, LACMA
Ariana Enriquez, 2021
Assistant Registrar
ASU Art Museum
Dhyandra Lawson, 2021
Curatorial Assistant, Wallis Annenberg
Photography Department
LACMA
Celia Yang, 2021
Head of Director’s Strategic Initiatives, Asia
LACMA
Matthew Villar Miranda, 2021
Curatorial fellow
ASU Art Museum
Faculty
Internationally recognized faculty members in the history of art are joined each year by a dynamic mix of rotating visiting faculty and respected museum curators across the partner museums, who offer classes that span many cultures, time periods and geographies, using multiple approaches and methodologies. Meet the ASU art history faculty.
Program director
Museum curators
Each year a specialized seminar is taught by museum curators.
- 2018 Iranian Art: The Intersection of Past and Present (Linda Komaroff, LACMA)
- 2019 Daoist Art (Stephen Little, LACMA)
- 2020 Writing, Speaking and Collaborating in a Museum Context (Diana Magaloni, LACMA)
- 2023 Abrupt Intrusions: The Making of Modern Art in Korea (Virginia Moon, LACMA)
Program advisers
- Michael Govan, Director, Los Angeles County Museum of Art
- Zoe Kahr, Director, Memphis Brooks Museum, Nashville, Tennessee
- Forrest Solis, Director, School of Art, Herberger Institute for Design and the Arts, ASU
Cristóbal Martinez, Director, School of Art, Herberger Institute for Design and the Arts, ASU
Program mentors
- Maryam Ekhtiar, Patti Cadby Birch Curator, Department of Islamic Art, The Metropolitan Museum of Art, New York
- Ben Garcia, Executive Director at the American LGBTQ+ Museum, New York
- Kelli Morgan Professor of the Practice, Curatorial Studies. Director of Curatorial Studies, Tufts University, Boston
- Maria Elena Ortiz, Curator, The Modern, Fort Worth, Texas
- Zoe Kahr, Executive Director, Memphis Brooks Museum of Art, Memphis, Tennessee
- Diana Magaloni, Deputy Director, Program Director and Dr. Virginia Fields Curator of the Art of the Ancient Americas, LACMA
- Dakota Hoska, Associate Curator, Native Arts, Denver Art Museum
Past mentors
- Clarissa Esguerra, Associate Curator Costumes and Textiles, Los Angeles County Museum of Art
- Erica Franek, Assistant Director, Registration and Collection Information, Los Angeles County Museum of Art
- Miki Garcia, Director, ASU Art Museum
- Julio César Morales, Senior Curator, ASU Art Museum
- Olga Viso, Senior Advisor on Global Arts Partnerships, Herberger Institute for Design and the Arts, ASU
Public lectures
Navigating Change in Museums lecture series
The ASU-LACMA Navigating Change in Museums lecture series looks at diversity in museum practices. This series is free and open to the public.
Past lectures
- Diana Magaloni, Jan. 14, 2020, “The Florentine Codex & the Creation of the New World”
- Rita Gonzalez and Stephen Little, Aug. 26, 2019, “Art History in the Art Museum: A Curator’s Perspective”
- Amada Cruz, Miki Gracia and Tiffany Ana López, Nov. 27, 2018, “Roundtable Discussion on Diversity and Inclusion”
- Bryan Brayboy, Aug. 13, 2018, “Diversity and Inclusion in Higher Education”
- Chon Noriega, Aug. 13, 2018, “The Museum of the Future: Archives, Collections, Exhibitions, and Catalogs”
- Sharon Takeda, Aug. 13, 2018, “From Farm Girl to Museum Curator: The Story of One Asian-American”
In the news
Featured stories
From our blog
Buzz about ASU-LACMA
- LACMA Unframed: Meet the ASU-LACMA fellows
- ARTnews: How LACMA and ASU Are Charting a Path to the Top for the Next Generation of Curators of Color
- The State Press: Expanding the canon: how asu is working with museums to promote diversity
- ARTFORUM: LACMA and Arizona State begin academic program for museum professionals of color
- The Association of Art Museum Curators: A Possible New Future for Internships and Fellowships
- The New York Times: LACMA and Arizona State Join Forces to Help Curators of Color
- Artforum: LACMA and Arizona State begin academic program for museum professionals of color